Ivan Rabuzin
Artists in the database

Dallos Toti, Marinka
Dambreville, Claude
Damour, Robert
Dangubić , Zvonimir
Daniel, Luis
Dautruche, Philippe
De Andrade Melo, Ovídio (Juca)
De Angelis, Fernando
De Checchi, Giuseppe
De Deus, Waldomiro
De Freitas, José
De Gail, Francoise
De Inocência, Pinceladas
De Jesus, Isabel
De Melo, Ivonaldo Veloso (Ivonaldo)
De Micheli, Mario * ( M.D.M.)
De Olinda, Antonio
De Soomer, Jeanne
De Souza Barbosa, Edivaldo (Edivaldo)
Debonis, Alejandro Lucas
Delacroix, Michel
Delavault , Maria Estela
Delinois, Armelin
Delnatus, Jean Baptiste
Demonchy, André
Dencic, Slava
Denda, Marko
Denis, Rousseau
Depolo, Josip * ( J.D. )
Desir, Gilbert
Desnos, Ferdinand
Dessus, Patrice
Devarine, José
Devroye-Stilz, Anne * ( A.D.-S. )
Di Decarli, Januarius
Di Girolamo, Giovanni
Dias, Ana Maria
Dinić, Branko
Dinić, Milanka
Dinis Rodrigues, Dileusa (Dila)
Dolenec, Tereza
Dominique, Clautaire
Dominique, Francois
Donati, Antonio
Dorbolò, Loretta
Dorvil, Eddy
Draško Drašković, Ljerka
Duaerte Bezerril, Paulo Gilvan (Gilvan)
Dubic, Abner
Dubic, Ossey
Ducroquet, Geneviève (Félicia)
Duffaut, Pierre
Duffaut, Préfète
Dufranc, Charles
Dugina, Franjo
Dukin, Martin
Dukin, Stjepan
Duranton, André
Durić, Gordana
Durosaire, Juvénal
Duśan, Fabić (Janko)
Dzikowska, Jadwiga
Dόtoli, Roberto Mariano (Dόtoli)

The following list includes the names of all the painters and sculptors of which Fidan holds monographic material at present.
We are talking about authors, not artists : this must not surprise us, as this choice depends on a deliberate will not to enter the field of evaluation, of value-related judgement, a task which is left to history, or to whoever will demonstrate a higher theoretical competence.
Fidan's material is presented in polymorphic identities, including original information and copies, catalogues and monographies, books and biographies, magazines and articles, presentations, press releases, leaflets and invitations, but also photoes and videos, a mix of documents of a multi-coloured, versatile nature, characterized by a strong will to document, leave a precise trace in history, in the Zeitgeist of our time. The presence of researchers, critics and scholars who, over the years, have left a written trace of their interest towards Art Naif, giving an important contribution to the developements, even in diverging directions, and to the study, effective and ephemeral, but still important, of the naif phenomenon.

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